Provided by: setbfree_0.8.12+ds-1_amd64 bug

NAME

       setBfree - DSP tonewheel organ

SYNOPSIS

       setBfree [ OPTIONS ] [ property=value ... ]

DESCRIPTION

       setBfree - DSP tonewheel organ

       setBfree  is  a  MIDI-controlled,  software  synthesizer designed to imitate the sound and
       properties of the electromechanical organs and sound  modification  devices  that  brought
       world-wide fame to the names and products of Laurens Hammond and Don Leslie.

OPTIONS

       -c <filename>, --config <filename>
              Load alternate config file over default

       -C, --noconfig
              Do  not  read  the  default configuration file the equivalent built-in defaults are
              still set

       -d, --dumpcc
              Print a list of MIDI-CC mappings on startup

       -D, --noCC
              do not load default CC map on startup

       -h     Print short help text

       -H, --help
              Print complete help text with parameter list

       -l <pgm>
              Load a MIDI program-preset at startup (may override previous  settings  given  with
              -r, -U,..)

       -M <filename>, --midnam <filename>
              export current controller mapping to .midnam file

       -p <filename>, --program <filename>
              Load alternate program file over default

       -P, --noprogram
              Do not read the default program file the built-in programs are cleared as well

       -r, --randomize
              Randomize initial preset (whacky but true)

       -U, --upper <drawbar settings>
              Specify initial drawbar settings, for the upper manual as 9 digits. e.g. 808000000

       -V, --version
              Print version information

   General Information:
              The configuration consists of two parts: program (pgm) and config (cfg).

              The  static  configuration of the properties of the instrument is defined in a .cfg
              file. There is no need to specify a config-file,  as  all  configurable  parameters
              have   built-in   default   values.   They  can  be  overridden  on  startup  using
              'property=value' pairs or by loading a specific .cfg file.  As  the  name  /static/
              implies,  the  properties  can  only  be  set on application start. Yet many of the
              properties merely define the initial value of settings which can later be  modified
              during  playback.  The  ones  which  can be dynamically modified are marked with an
              asterisk (*)

              Properties are modified by sending MIDI Control-Commands (CC) to  the  synth.   The
              mapping    of    CCs    to    function    can    be   modified   by   setting   the
              "midi.controller.{upper|lower|pedal}.<CC>=<function>" property.  Function-names are
              equivalent to property-names.  e.g. "midi.controller.upper.22=overdrive.outputgain"
              assigns the overdrive-gain to MIDI-CC 22 on  MIDI-channel  1  (upper)  (Note:  each
              function  can  assigned  only  once,  however  MIDI-CC  can  be re-used and trigger
              multiple function at the same time.)

              The program basically defines 'shortcuts'. Loading a program is usually  equivalent
              to  sending  a series of CC. Programs are commonly used to define instruments (e.g.
              draw-bar settings to mimic a flute) or provide scalepoints (e.g. reverb=64).  There
              are  a  few  special  commands  which  are  only  available  by recalling a program
              (randomize settings, split-manuals, enable overdrive).

              Programs are defined in a .pgm file and are fixed after starting  the  application.
              They   are  activated  by  sending  MIDI-program-change  messages  (also  known  as
              'presets') MIDI-banks are ignored. So at most 127 programs can be specified.

              At startup 'default.cfg' and 'default.pgm' in $XDG_CONFIG_HOME/setBfree/  (default:
              $HOME/.config/setBfree/)  are are evaluated if the files exist, unless '--noconfig'
              or '--noprogram' options are given.  An additional config or program  file  can  be
              loaded using the '-c' and '-p' option respectively.

              Example config: "/usr/share/setBfree/cfg/default.cfg"

              Example program: "/usr/share/setBfree/pgm/default.pgm"

   Instrument Properties:
              Below  is  a  list  of available property-value pairs and their default values. The
              default value is omitted "(-)" for properties which contain an array of values.

              The type  identifiers  are:  'S':  text-string,  'I':  integer,  'F':  float,  'D':
              double-precision float.

              Properties  marked  with  an asterisk (*), are available as MIDI CC functions. When
              used as CC, the values 0-127 (MIDI data) is mapped to a range of values appropriate
              to  the  function.  In config-files or on the command-line you must you the type as
              specified e.g. "osc.temperament=gear60 osc.wiring-crosstalk=0.2"

   Parameters for 'Main':
       midi.driver
              S  ("jack")

              The midi driver to use, 'jack' or 'alsa'

       midi.port
              S  ("")

              The midi port(s) to auto-connect to. With alsa it's a single port-name  or  number,
              jack accepts regular expressions.

       jack.connect
              S  ("system:playback_")

              Auto  connect  both  audio-ports  to  a  given  regular-expression. This setting is
              ignored if either of jack.out.{left|right} is specified.

       jack.out.left
              S  ("")

              Connect left-output to this jack-port (exact name)

       jack.out.right
              S  ("")

              Connect right-output to this jack-port (exact name)

   Parameters for 'MIDI Parser':
       midi.upper.channel
              I  (1)

              The MIDI channel to use for the upper-manual. range: [1..16]

       midi.lower.channel
              I  (2)

              The MIDI channel to use for the lower manual. range: [1..16]

       midi.pedals.channel
              I  (3)

              The MIDI channel to use for the pedals. range: [1..16]

       midi.controller.reset
              I  ("-")

              Clear existing CC mapping for all controllers (if non-zero argument is given).  See
              also -D option.

       midi.controller.upper.<cc>
              S  ("-")

              Specify  a  function-name  to  bind  to  the given MIDI control-command. <cc> is an
              integer 0..127. Defaults are in  midiPrimeControllerMapping()  and  can  be  listed
              using the '-d' commandline option. See general information.

       midi.controller.lower.<cc>
              S  ("-")

              see midi.controller.upper

       midi.controller.pedals.<cc>
              S  ("-")

              see midi.controller.upper

       midi.transpose
              I  (0)

              Global transpose (noteshift) in semitones.

       midi.upper.transpose
              I  (0)

              Shift/transpose MIDI-notes on upper-manual

       midi.lower.transpose
              I  (0)

              Shift/transpose MIDI-notes on lower-manual

       midi.pedals.transpose
              I  (0)

              Shift/transpose MIDI-notes on pedals

       midi.upper.transpose.split
              I  (0)

              Noteshift for upper manual in split mode

       midi.lower.transpose.split
              I  (0)

              Noteshift for lower manual in split mode

       midi.pedals.transpose.split
              I  (0)

              Noteshift for lower manual in split mode

   Parameters for 'MIDI Program Parser':
       pgm.controller.offset
              I  (1)

              Compensate  for MIDI controllers that number the programs from 1 to 128. Internally
              we use 0-127, as does MIDI. range: [0,1]

   Parameters for 'Tone Generator':
       osc.tuning
              D  (440.0)

              Base tuning of the organ.

       osc.temperament
              S  ("gear60")

              Tuning temperament, gear-ratios/motor-speed. One of: "equal", "gear60", "gear50"

       osc.x-precision
              D  (0.001)

              Wave precision. Maximum allowed error when calculating  wave  buffer-length  for  a
              given frequency (ideal #of samples - discrete #of samples)

       osc.perc.fast
              D  (1.0)

              Fast percussion decay time

       osc.perc.slow
              D  (4.0)

              Slow percussion decay time

       osc.perc.normal
              D  (1.0)

              Percussion starting gain of the envelope for normal volume.

       osc.perc.soft
              D  (0.5012)

              Percussion starting gain of the envelope for soft volume.

       osc.perc.gain
              D  (11.0)

              Basic volume of the percussion signal, applies to both normal and soft

       osc.perc.bus.a
              I  (3)

              range [0..8]

       osc.perc.bus.b
              I  (4)

              range [0..8]

       osc.perc.bus.trig
              I  (8)

              range [-1..8]

       osc.eq.macro
              S  ("chspline")

              one of "chspline", "peak24", "peak46"

       osc.eq.p1y
              D  (1.0)

              EQ spline parameter

       osc.eq.r1y
              D  (0.0)

              EQ spline parameter

       osc.eq.p4y
              D  (1.0)

              EQ spline parameter

       osc.eq.r4y
              D  (0.0)

              EQ spline parameter

       osc.eqv.ceiling
              D  (1.0)

              Normalize EQ parameters.

       osc.eqv.<oscnum>
              D  (-)

              oscnum=[0..127],   value:   [0..osc.eqv.ceiling];  default  values  are  calculated
              depending on selected osc.eq.macro and tone-generator-model.

       osc.harmonic.<h>
              D  (-)

              specify level of given harmonic number.

       osc.harmonic.w<w>.f<h>
              D  (-)

              w: number of wheel [0..91], h: harmonic number

       osc.terminal.t<t>.w<w>
              D  (-)

              t,w: wheel-number [0..91]

       osc.taper.k<key>.b<bus>.t<wheel>
              D  (-)

              customize tapering model. Specify level of [key, drawbar, tonewheel].

       osc.crosstalk.k<key>
              S  (-)

              value colon-separated: "<int:bus>:<int:wheel>:<double:level>"

       osc.compartment-crosstalk
              D  (0.01)

              Crosstalk between tonewheels in the same  compartment.  The  value  refers  to  the
              amount of rogue signal picked up.

       osc.transformer-crosstalk
              D  (0)

              Crosstalk between transformers on the top of the tg.

       osc.terminalstrip-crosstalk
              D  (0.01)

              Crosstalk between connection on the terminal strip.

       osc.wiring-crosstalk
              D  (0.01)

              Throttle on the crosstalk distribution model for wiring

       osc.contribution-floor
              D  (0.0000158)

              Signals weaker than this are not put on the contribution list

       osc.contribution-min
              D  (0)

              If non-zero, contributing signals have at least this level

       osc.attack.click.level
              D  (0.5)

              Amount of random attenuation applied to a closing bus-oscillator connection.

       osc.attack.click.maxlength
              D  (0.6250)

              The   maximum   length  of  a  key-click  noise  burst,  100%  corresponds  to  128
              audio-samples

       osc.attack.click.minlength
              D  (0.1250)

              The  minimum  length  of  a  key-click  noise  burst,  100%  corresponds   to   128
              audio-samples

       osc.release.click.level
              D  (0.25)

              Amount of random attenuation applied to an opening bus-oscillator

       osc.release.model
              S  ("linear")

              Model applied during key-release, one of "click", "cosine", "linear", "shelf"

       osc.attack.model
              S  ("click")

              Model applied during key-attack; one of "click", "cosine", "linear", "shelf"

   Parameters for 'Vibrato Effect':
       scanner.hz
              D  (7.25)

              Frequency of the vibrato scanner

       scanner.modulation.v1
              D  (3.0)

              Amount of modulation for vibrato/chorus 1 setting

       scanner.modulation.v2
              D  (6.0)

              Amount of modulation for vibrato/chorus 2 setting

       scanner.modulation.v3
              D  (9.0)

              Amount of modulation for vibrato/chorus 3 setting

   Parameters for 'Preamp/Overdrive Effect':
       overdrive.inputgain
              F* (0.3567)

              This  is how much the input signal is scaled as it enters the overdrive effect. The
              default value is quite hot, but you can of course try it in anyway you like;  range
              [0..1]

       overdrive.outputgain
              F* (0.07873)

              This  is  how  much  the  signal  is  scaled  as  it  leaves  the overdrive effect.
              Essentially this value should be as high as  possible  without  clipping  (and  you
              *will*  notice when it does - Test with a bass-chord on 88 8888 000 with percussion
              enabled and full swell, but do turn down the  amplifier/headphone  volume  first!);
              range [0..1]

       xov.ctl_biased
              F* (0.5347)

              bias base; range [0..1]

       xov.ctl_biased_gfb
              F* (0.6214)

              Global [negative] feedback control; range [0..1]

       overdrive.character
              F* (-)

              Abstraction to set xov.ctl_biased_fb and xov.ctl_biased_fb2

       xov.ctl_biased_fb
              F* (0.5821)

              This  parameter  behaves  somewhat  like  an analogue tone control for bass mounted
              before the overdrive stage. Unity is somewhere around the value 0.6, lesser  values
              takes  away bass and lowers the volume while higher values gives more bass and more
              signal into the overdrive. Must be less than 1.0.

       xov.ctl_biased_fb2
              F* (0.999)

              The fb2 parameter has the same function as fb1 but controls the  signal  after  the
              overdrive stage. Together the two parameters are useful in that they can reduce the
              amount of bass going into the overdrive and then recover it on the other side. Must
              be less than 1.0.

       xov.ctl_sagtobias
              F* (0.1880)

              This  parameter  is  part of an attempt to recreate an artefact called 'power sag'.
              When a power amplifier is under  heavy  load  the  voltage  drops  and  alters  the
              operating  parameters  of  the  unit,  usually  towards  more  and  other  kinds of
              distortion. The sagfb parameter controls the rate of recovery from the  sag  effect
              when the load is lifted. Must be less than 1.0.

   Parameters for 'Leslie Cabinet Effect':
       whirl.bypass
              I  (0)

              If set to 1, completely bypass the leslie emulation

       whirl.speed-preset
              I  (0)

              Initial horn and drum speed. 0:stopped, 1:slow, 2:fast

       whirl.horn.slowrpm
              D  (40.32)

              Target RPM for slow (aka choral) horn speed

       whirl.horn.fastrpm
              D  (423.36)

              Target RPM for fast (aka tremolo) horn speed

       whirl.horn.acceleration
              D* (0.161)

              Time required to accelerate the horn (exponential time constant)

       whirl.horn.deceleration
              D* (0.321)

              Time required to decelerate the horn (exponential time constant)

       whirl.horn.brakepos
              D* (0)

              Horn   stop   position.   Clockwise   position   where   to  stop.  (0:  free-stop,
              1.0:front-center)

       whirl.drum.slowrpm
              D  (36.0)

              Target RPM for slow (aka choral) drum speed.

       whirl.drum.fastrpm
              D  (357.3)

              Target RPM for fast (aka tremolo) drum speed.

       whirl.drum.acceleration
              D* (4.127)

              Time required to accelerate the drum (exponential time constant)

       whirl.drum.deceleration
              D* (1.371)

              Time required to decelerate the drum (exponential time constant)

       whirl.drum.brakepos
              D* (0)

              Drum  stop  position.  Clockwise   position   where   to   stop.   (0:   free-stop,
              1.0:front-center)

       whirl.drum.width
              D  (0)

              Drum stereo width (LV2 only) (-1: left mic, 0: stereo, 1: right mic)

       whirl.horn.width
              D  (0)

              Horn stereo width (LV2 only) (-1: left mic, 0: stereo, 1: right mic)

       whirl.horn.radius
              D  (19.2)

              Horn radius in centimeter

       whirl.drum.radius
              D  (22.0)

              Drum radius in centimeter

       whirl.mic.distance
              D  (42.0)

              Distance from mic to origin in centimeters

       whirl.horn.mic.angle
              D  (180.0)

              Horn Stereo Mic angle

       whirl.horn.offset.z
              D  (0.0)

              Offset of horn perpendicular to mic to front, in centimeters

       whirl.horn.offset.x
              D  (0.0)

              Offset of horn towards left mic, in centimeters

       whirl.horn.level
              D  (0.7)

              Horn wet-signal volume

       whirl.horn.leak
              D  (0.15)

              Horn dry-signal signal leakage

       whirl.drum.filter.type
              I* (8)

              This  filter  separates  the  signal to be sent to the drum-speaker. It should be a
              high-shelf filter with negative gain. Filter type: 0-8. see "Filter types" below.

       whirl.drum.filter.q
              D* (1.6016)

              Filter Quality, bandwidth

       whirl.drum.filter.hz
              D* (811.9695)

              Filter frequency.

       whirl.drum.filter.gain
              D* (-38.9291)

              Filter gain

       whirl.horn.filter.a.type
              I* (0)

              This is the  first  of  two  filters  to  shape  the  signal  to  be  sent  to  the
              horn-speaker;  by  default  a  low-pass  filter  with negative gain to cut off high
              frequencies. Filter type: 0-8. see "Filter types" below.

       whirl.horn.filter.a.hz
              D* (4500)

              Filter frequency

       whirl.horn.filter.a.q
              D* (2.7456)

              Filter quality, bandwidth

       whirl.horn.filter.a.gain
              D* (-30.0)

              Filter gain

       whirl.horn.filter.b.type
              I* (7)

              This is the second  of  two  filters  to  shape  the  signal  to  be  sent  to  the
              horn-speaker;   by  default  a  low-shelf  filter  with  negative  gain  to  remove
              frequencies which are sent to the drum. Filter type: 0-8. see "Filter types" below.

       whirl.horn.filter.b.hz
              D* (300.0)

              Filter frequency

       whirl.horn.filter.b.q
              D* (1.0)

              Filter Quality, bandwidth

       whirl.horn.filter.b.gain
              D* (-30.0)

              Filter gain

   Parameters for 'Reverb Effect':
       reverb.wet
              D  (0.1)

              Reverb Wet signal level; range [0..1]

       reverb.dry
              D  (0.9)

              Reverb Dry signal level; range [0..1]

       reverb.inputgain
              D  (0.1)

              Reverb Input Gain

       reverb.outputgain
              D  (1.0)

              Reverb Output Gain (modifies dry/wet)

       reverb.mix
              D* (0.1)

              Reverb Mix (modifies dry/wet).

   Filter Types (for Leslie):
       0      LPF low-pass

       1      HPF high-pass

       2      BF0 band-pass 0

       3      BF1 band-pass 1

       4      NOT notch

       5      APF all-pass

       6      PEQ peaking eq

       7      LSH low shelf

       8      HSH high shelf

       Note that the gain parameter does not apply to type 0 Low-Pass-Filters.

   Additional MIDI Control-Command Functions:
              These properties can not be modified directly,  but  are  meant  to  be  mapped  to
              MIDI-controllers       (see       "General       Information"      above)      e.g.
              "midi.controller.upper.70=upper.drawbar16".

       {upper|lower|pedal}.drawbar<NUM>
              I* (-)

              where <NUM> is one of [16, 513, 8, 4, 223, 2, 135 , 113, 1].   Set  MIDI-Controller
              IDs  to  adjust  given drawbar. -- The range is inversely mapped to the position of
              the drawbar, so that fader-like controllers work in reverse,  like  real  drawbars.
              Note  that  the  MIDI controller values are quantized into 0 ... 8 to correspond to
              the nine discrete positions of the original drawbar system: 0:8 (loudest),  1-15:7,
              16-31:6,  32-47:5, 48-63:4, 64-79:3, 80-92:2, 96-110:1, 111-127:0(off)

       rotary.speed-preset
              I* (-)

              set horn and drum speed; 0-stop, 1:slow, 2:fast

       rotary.speed-toggle
              I* (-)

              toggle rotary.speed-preset between 1/2

       rotary.speed-select
              I* (-)

              low-level access function 0..8 (3^2 combinations) [stop/slow/fast]^[horn|drum]

       swellpedal1
              D* (0.7)

              set swell pedal gain

       swellpedal2
              D* (0.7)

              identical to swellpedal1

       vibrato.knob
              I* (0)

              <22:vibrato1, <44:chorus1, <66:vibrato2, <88:chorus2, <110vibrato3, >=110:chorus3

       vibrato.routing
              I* (0)

              <32:off, <64:lower, <96:upper, >=96:both

       vibrato.upper
              I* (0)

              <64:off, >=64 on

       vibrato.lower
              I* (0)

              <64:off, >=64 on

       percussion.enable
              I* (0)

              <16:off, <63:normal, <112:soft, >=112:off

       percussion.decay
              I* (0)

              <64: fast-decay, >=64 slow decay

       percussion.harmonic
              I* (0)

              <64: third harmonic, >=64 second harmonic

       overdrive.enable
              I* (0)

              <64: disable overdrive, >=64 enable overdrive

EXAMPLES

       setBfree   setBfree  -p  pgm/default.pgm  midi.port="a2j:[AV]"  midi.driver=jack  setBfree
       midi.port=129         midi.driver=alsa         jack.connect=jack_rack:in_         setBfree
       jack.out.left=system:playback_7 jack.out.right=system:playback_8 setBfree -U 868000000

REPORTING BUGS

       Report bugs at <http://github.com/pantherb/setBfree/issues>.
       Website and manual: <http://setbfree.org>

COPYRIGHT

       Copyright © 2008-2018 Robin Gareus <robin@gareus.org>
       Copyright © 2012 Will Panther <pantherb@setbfree.org>
       Copyright © 2010 Ken Restivo <ken@restivo.org>
       Copyright © 2003-2004 Fredrik Kilander <fk@dsv.su.se>

       This  is  free software; see the source for copying conditions.  There is NO warranty; not
       even for MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE.