Provided by: flac_1.4.2+ds-2ubuntu1_amd64 
NAME
flac - Free Lossless Audio Codec
SYNOPSIS
flac [ OPTIONS ] [ infile.wav | infile.rf64 | infile.aiff | infile.raw | infile.flac |
infile.oga | infile.ogg | - ... ]
flac [ -d | --decode | -t | --test | -a | --analyze ] [ OPTIONS ] [ infile.flac |
infile.oga | infile.ogg | - ... ]
DESCRIPTION
flac is a command-line tool for encoding, decoding, testing and analyzing FLAC streams.
GENERAL USAGE
flac supports as input RIFF WAVE, Wave64, RF64, AIFF, FLAC or Ogg FLAC format, or raw
interleaved samples. The decoder currently can output to RIFF WAVE, Wave64, RF64, or AIFF
format, or raw interleaved samples. flac only supports linear PCM samples (in other
words, no A-LAW, uLAW, etc.), and the input must be between 4 and 32 bits per sample.
flac assumes that files ending in “.wav” or that have the RIFF WAVE header present are
WAVE files, files ending in “.w64” or have the Wave64 header present are Wave64 files,
files ending in “.rf64” or have the RF64 header present are RF64 files, files ending in
“.aif” or “.aiff” or have the AIFF header present are AIFF files, files ending in “.flac”
or have the FLAC header present are FLAC files and files ending in “.oga” or “.ogg” or
have the Ogg FLAC header present are Ogg FLAC files.
Other than this, flac makes no assumptions about file extensions, though the convention is
that FLAC files have the extension “.flac” (or “.fla” on ancient “8.3” file systems like
FAT-16).
Before going into the full command-line description, a few other things help to sort it
out: 1. flac encodes by default, so you must use -d to decode 2. the options -0 .. -8
(or –fast and –best) that control the compression level actually are just synonyms for
different groups of specific encoding options (described later) and you can get the same
effect by using the same options. When specific options are specified they take priority
over the compression level no matter the order 3. flac behaves similarly to gzip in the
way it handles input and output files 4. the order in which options are specified is
generally not important
Skip to the examples below for examples of some common tasks.
flac will be invoked one of four ways, depending on whether you are encoding, decoding,
testing, or analyzing. Encoding is the default invocation, but can be switch to decoding
with -d, analysis with -a or testing with -t. Depending on which way is chosen, encoding,
decoding, analysis or testing options can be used, see section OPTIONS for details.
General options can be used for all.
If only one inputfile is specified, it may be “-” for stdin. When stdin is used as input,
flac will write to stdout. Otherwise flac will perform the desired operation on each
input file to similarly named output files (meaning for encoding, the extension will be
replaced with “.flac”, or appended with “.flac” if the input file has no extension, and
for decoding, the extension will be “.wav” for WAVE output and “.raw” for raw output).
The original file is not deleted unless –delete-input-file is specified.
If you are encoding/decoding from stdin to a file, you should use the -o option like so:
flac [options] -o outputfile
flac -d [options] -o outputfile
which are better than:
flac [options] > outputfile
flac -d [options] > outputfile
since the former allows flac to seek backwards to write the STREAMINFO or RIFF WAVE header
contents when necessary.
Also, you can force output data to go to stdout using -c.
To encode or decode files that start with a dash, use – to signal the end of options, to
keep the filenames themselves from being treated as options:
flac -V -- -01-filename.wav
The encoding options affect the compression ratio and encoding speed. The format options
are used to tell flac the arrangement of samples if the input file (or output file when
decoding) is a raw file. If it is a RIFF WAVE, Wave64, RF64, or AIFF file the format
options are not needed since they are read from the file’s header.
In test mode, flac acts just like in decode mode, except no output file is written. Both
decode and test modes detect errors in the stream, but they also detect when the MD5
signature of the decoded audio does not match the stored MD5 signature, even when the
bitstream is valid.
flac can also re-encode FLAC files. In other words, you can specify a FLAC or Ogg FLAC
file as an input to the encoder and it will decoder it and re-encode it according to the
options you specify. It will also preserve all the metadata unless you override it with
other options (e.g. specifying new tags, seekpoints, cuesheet, padding, etc.).
flac has been tuned so that the default settings yield a good speed vs. compression
tradeoff for many kinds of input. However, if you are looking to maximize the compression
rate or speed, or want to use the full power of FLAC’s metadata system, see the page
titled `About the FLAC Format' on the FLAC website.
EXAMPLES
Some common encoding tasks using flac:
flac abc.wav
Encode abc.wav to abc.flac using the default compression setting. abc.wav is not
deleted.
flac --delete-input-file abc.wav
Like above, except abc.wav is deleted if there were no errors.
flac --delete-input-file -w abc.wav
Like above, except abc.wav is deleted if there were no errors or warnings.
flac --best abc.wav
Encode abc.wav to abc.flac using the highest compression setting.
flac --verify abc.wav
Encode abc.wav to abc.flac and internally decode abc.flac to make sure it matches
abc.wav.
flac -o my.flac abc.wav
Encode abc.wav to my.flac.
flac -T "TITLE=Bohemian Rhapsody" -T "ARTIST=Queen" abc.wav
Encode abc.wav and add some tags at the same time to abc.flac.
flac *.wav
Encode all .wav files in the current directory.
flac abc.aiff
Encode abc.aiff to abc.flac.
flac abc.rf64
Encode abc.rf64 to abc.flac.
flac abc.w64
Encode abc.w64 to abc.flac.
flac abc.flac --force
This one’s a little tricky: notice that flac is in encode mode by default (you have
to specify -d to decode) so this command actually recompresses abc.flac back to
abc.flac. –force is needed to make sure you really want to overwrite abc.flac with
a new version. Why would you want to do this? It allows you to recompress an
existing FLAC file with (usually) higher compression options or a newer version of
FLAC and preserve all the metadata like tags too.
Some common decoding tasks using flac:
flac -d abc.flac
Decode abc.flac to abc.wav. abc.flac is not deleted. NOTE: Without -d it means
re-encode abc.flac to abc.flac (see above).
flac -d --force-aiff-format abc.flac
flac -d -o abc.aiff abc.flac : Two different ways of decoding abc.flac to abc.aiff (AIFF
format). abc.flac is not deleted.
flac -d --force-rf64-format abc.flac
flac -d -o abc.rf64 abc.flac : Two different ways of decoding abc.flac to abc.rf64 (RF64
format). abc.flac is not deleted.
flac -d --force-wave64-format abc.flac
flac -d -o abc.w64 abc.flac : Two different ways of decoding abc.flac to abc.w64 (Wave64
format). abc.flac is not deleted.
flac -d -F abc.flac
Decode abc.flac to abc.wav and don’t abort if errors are found (useful for
recovering as much as possible from corrupted files).
OPTIONS
A summary of options is included below. For a complete description, see the HTML
documentation.
GENERAL OPTIONS
-v, --version
Show the flac version number
-h, --help
Show basic usage and a list of all options
-H, --explain
Show detailed explanation of usage and all options
-d, --decode
Decode (the default behavior is to encode)
-t, --test
Test a flac encoded file (same as -d except no decoded file is written)
-a, --analyze
Analyze a FLAC encoded file (same as -d except an analysis file is written)
-c, --stdout
Write output to stdout
-s, --silent
Silent mode (do not write runtime encode/decode statistics to stderr)
--totally-silent
Do not print anything of any kind, including warnings or errors. The exit code
will be the only way to determine successful completion.
--no-utf8-convert
Do not convert tags from local charset to UTF-8. This is useful for scripts, and
setting tags in situations where the locale is wrong. This option must appear
before any tag options!
-w, --warnings-as-errors
Treat all warnings as errors (which cause flac to terminate with a non-zero exit
code).
-f, --force
Force overwriting of output files. By default, flac warns that the output file
already exists and continues to the next file.
-o filename, --output-name=filename
Force the output file name (usually flac just changes the extension). May only be
used when encoding a single file. May not be used in conjunction with --output-
prefix.
--output-prefix=string
Prefix each output file name with the given string. This can be useful for
encoding or decoding files to a different directory. Make sure if your string is a
path name that it ends with a trailing `/’ (slash).
--delete-input-file
Automatically delete the input file after a successful encode or decode. If there
was an error (including a verify error) the input file is left intact.
--preserve-modtime
Output files have their timestamps/permissions set to match those of their inputs
(this is default). Use --no-preserve-modtime to make output files have the current
time and default permissions.
--keep-foreign-metadata
If encoding, save WAVE, RF64, or AIFF non-audio chunks in FLAC metadata. If
decoding, restore any saved non-audio chunks from FLAC metadata when writing the
decoded file. Foreign metadata cannot be transcoded, e.g. WAVE chunks saved in a
FLAC file cannot be restored when decoding to AIFF. Input and output must be
regular files (not stdin or stdout).
--keep-foreign-metadata-if-present
Like --keep-foreign-metadata, but without throwing an error if foreign metadata
cannot be found or restored, instead printing a warning.
--skip={#|mm:ss.ss}
Skip over the first number of samples of the input. This works for both encoding
and decoding, but not testing. The alternative form mm:ss.ss can be used to
specify minutes, seconds, and fractions of a second.
--until={#|[+|-]mm:ss.ss}
Stop at the given sample number for each input file. This works for both encoding
and decoding, but not testing. The given sample number is not included in the
decoded output. The alternative form mm:ss.ss can be used to specify minutes,
seconds, and fractions of a second. If a `+’ (plus) sign is at the beginning, the
--until point is relative to the --skip point. If a `-’ (minus) sign is at the
beginning, the --until point is relative to end of the audio.
--ogg When encoding, generate Ogg FLAC output instead of native FLAC. Ogg FLAC streams
are FLAC streams wrapped in an Ogg transport layer. The resulting file should have
an `.oga' extension and will still be decodable by flac. When decoding, force the
input to be treated as Ogg FLAC. This is useful when piping input from stdin or
when the filename does not end in `.oga' or `.ogg'.
--serial-number=#
When used with --ogg, specifies the serial number to use for the first Ogg FLAC
stream, which is then incremented for each additional stream. When encoding and no
serial number is given, flac uses a random number for the first stream, then
increments it for each additional stream. When decoding and no number is given,
flac uses the serial number of the first page.
ANALYSIS OPTIONS
--residual-text
Includes the residual signal in the analysis file. This will make the file very
big, much larger than even the decoded file.
--residual-gnuplot
Generates a gnuplot file for every subframe; each file will contain the residual
distribution of the subframe. This will create a lot of files.
DECODING OPTIONS
--cue=[#.#][-[#.#]]
Set the beginning and ending cuepoints to decode. The optional first #.# is the
track and index point at which decoding will start; the default is the beginning of
the stream. The optional second #.# is the track and index point at which decoding
will end; the default is the end of the stream. If the cuepoint does not exist,
the closest one before it (for the start point) or after it (for the end point)
will be used. If those don’t exist, the start of the stream (for the start point)
or end of the stream (for the end point) will be used. The cuepoints are merely
translated into sample numbers then used as --skip and --until. A CD track can
always be cued by, for example, --cue=9.1-10.1 for track 9, even if the CD has no
10th track.
-F, --decode-through-errors
By default flac stops decoding with an error and removes the partially decoded file
if it encounters a bitstream error. With -F, errors are still printed but flac
will continue decoding to completion. Note that errors may cause the decoded audio
to be missing some samples or have silent sections.
--apply-replaygain-which-is-not-lossless[=<specification>]
Applies ReplayGain values while decoding. WARNING: THIS IS NOT LOSSLESS. DECODED
AUDIO WILL NOT BE IDENTICAL TO THE ORIGINAL WITH THIS OPTION. This option is useful
for example in transcoding media servers, where the client does not support
ReplayGain. For details on the use of this option, see the section ReplayGain
application specification.
ENCODING OPTIONS
-V, --verify
Verify a correct encoding by decoding the output in parallel and comparing to the
original
--lax Allow encoder to generate non-Subset files. The resulting FLAC file may not be
streamable or might have trouble being played in all players (especially hardware
devices), so you should only use this option in combination with custom encoding
options meant for archival.
--replay-gain
Calculate ReplayGain values and store them as FLAC tags, similar to vorbisgain.
Title gains/peaks will be computed for each input file, and an album gain/peak will
be computed for all files. All input files must have the same resolution, sample
rate, and number of channels. Only mono and stereo files are allowed, and the
sample rate must be one of 8, 11.025, 12, 16, 22.05, 24, 32, 44.1, or 48 kHz. Also
note that this option may leave a few extra bytes in a PADDING block as the exact
size of the tags is not known until all files are processed. Note that this option
cannot be used when encoding to standard output (stdout).
--cuesheet=filename
Import the given cuesheet file and store it in a CUESHEET metadata block. This
option may only be used when encoding a single file. A seekpoint will be added for
each index point in the cuesheet to the SEEKTABLE unless --no-cued-seekpoints is
specified.
--picture={FILENAME|SPECIFICATION}
Import a picture and store it in a PICTURE metadata block. More than one --picture
option can be specified. Either a filename for the picture file or a more complete
specification form can be used. The SPECIFICATION is a string whose parts are
separated by | (pipe) characters. Some parts may be left empty to invoke default
values. FILENAME is just shorthand for “||||FILENAME”. For the format of
SPECIFICATION, see the section picture specification.
--sector-align
Align encoding of multiple CD format files on sector boundaries. See the HTML
documentation for more information. This option is DEPRECATED and may not exist in
future versions of flac.
--ignore-chunk-sizes
When encoding to flac, ignore the file size headers in WAV and AIFF files to
attempt to work around problems with over-sized or malformed files. WAV and AIFF
files both have an unsigned 32 bit numbers in the file header which specifes the
length of audio data. Since this number is unsigned 32 bits, that limits the size
of a valid file to being just over 4 Gigabytes. Files larger than this are mal-
formed, but should be read correctly using this option.
-S {#|X|#x|#s}, --seekpoint={#|X|#x|#s}
Include a point or points in a SEEKTABLE. Using #, a seek point at that sample
number is added. Using X, a placeholder point is added at the end of a the table.
Using #x, # evenly spaced seek points will be added, the first being at sample 0.
Using #s, a seekpoint will be added every # seconds (# does not have to be a whole
number; it can be, for example, 9.5, meaning a seekpoint every 9.5 seconds). You
may use many -S options; the resulting SEEKTABLE will be the unique-ified union of
all such values. With no -S options, flac defaults to `-S 10s'. Use --no-
seektable for no SEEKTABLE. Note: `-S #x' and `-S #s' will not work if the encoder
can’t determine the input size before starting. Note: if you use `-S #' and # is
>= samples in the input, there will be either no seek point entered (if the input
size is determinable before encoding starts) or a placeholder point (if input size
is not determinable).
-P #, --padding=#
Tell the encoder to write a PADDING metadata block of the given length (in bytes)
after the STREAMINFO block. This is useful if you plan to tag the file later with
an APPLICATION block; instead of having to rewrite the entire file later just to
insert your block, you can write directly over the PADDING block. Note that the
total length of the PADDING block will be 4 bytes longer than the length given
because of the 4 metadata block header bytes. You can force no PADDING block at
all to be written with --no-padding. The encoder writes a PADDING block of 8192
bytes by default (or 65536 bytes if the input audio stream is more that 20 minutes
long).
-T FIELD=VALUE, --tag=FIELD=VALUE
Add a FLAC tag. The comment must adhere to the Vorbis comment spec; i.e. the FIELD
must contain only legal characters, terminated by an `equals' sign. Make sure to
quote the comment if necessary. This option may appear more than once to add
several comments. NOTE: all tags will be added to all encoded files.
--tag-from-file=FIELD=FILENAME
Like --tag, except FILENAME is a file whose contents will be read verbatim to set
the tag value. The contents will be converted to UTF-8 from the local charset.
This can be used to store a cuesheet in a tag (e.g. --tag-from-
file=“CUESHEET=image.cue”). Do not try to store binary data in tag fields! Use
APPLICATION blocks for that.
-b #, --blocksize=#
Specify the blocksize in samples. The default is 1152 for -l 0, else 4096. For
subset streams this must be <= 4608 if the samplerate <= 48kHz, for subset streams
with higher samplerates it must be <= 16384.
-m, --mid-side
Try mid-side coding for each frame (stereo input only)
-M, --adaptive-mid-side
Adaptive mid-side coding for all frames (stereo input only)
-0..-8, --compression-level-0..--compression-level-8
Fastest compression..highest compression (default is -5). These are synonyms for
other options:
-0, --compression-level-0
Synonymous with -l 0 -b 1152 -r 3 --no-mid-side
-1, --compression-level-1
Synonymous with -l 0 -b 1152 -M -r 3
-2, --compression-level-2
Synonymous with -l 0 -b 1152 -m -r 3
-3, --compression-level-3
Synonymous with -l 6 -b 4096 -r 4 --no-mid-side
-4, --compression-level-4
Synonymous with -l 8 -b 4096 -M -r 4
-5, --compression-level-5
Synonymous with -l 8 -b 4096 -m -r 5
-6, --compression-level-6
Synonymous with -l 8 -b 4096 -m -r 6 -A subdivide_tukey(2)
-7, --compression-level-7
Synonymous with -l 12 -b 4096 -m -r 6 -A subdivide_tukey(2)
-8, --compression-level-8
Synonymous with -l 12 -b 4096 -m -r 6 -A subdivide_tukey(3)
--fast Fastest compression. Currently synonymous with -0.
--best Highest compression. Currently synonymous with -8.
-e, --exhaustive-model-search
Do exhaustive model search (expensive!)
-A function, --apodization=function
Window audio data with given the apodization function. See section Apodization
functions for details.
-l #, --max-lpc-order=#
Specifies the maximum LPC order. This number must be <= 32. For subset streams,
it must be <=12 if the sample rate is <=48kHz. If 0, the encoder will not attempt
generic linear prediction, and use only fixed predictors. Using fixed predictors
is faster but usually results in files being 5-10% larger.
-p, --qlp-coeff-precision-search
Do exhaustive search of LP coefficient quantization (expensive!). Overrides -q;
does nothing if using -l 0
-q #, --qlp-coeff-precision=#
Precision of the quantized linear-predictor coefficients, 0 => let encoder decide
(min is 5, default is 0)
-r [#,]#, --rice-partition-order=[#,]#
Set the [min,]max residual partition order (0..15). min defaults to 0 if
unspecified. Default is -r 5.
FORMAT OPTIONS
--endian={big|little}
Set the byte order for samples
--channels=#
Set number of channels.
--bps=#
Set bits per sample.
--sample-rate=#
Set sample rate (in Hz).
--sign={signed|unsigned}
Set the sign of samples (the default is signed).
--input-size=#
Specify the size of the raw input in bytes. If you are encoding raw samples from
stdin, you must set this option in order to be able to use --skip, --until,
--cuesheet, or other options that need to know the size of the input beforehand.
If the size given is greater than what is found in the input stream, the encoder
will complain about an unexpected end-of-file. If the size given is less, samples
will be truncated.
--force-raw-format
Force input (when encoding) or output (when decoding) to be treated as raw samples
(even if filename ends in .wav).
--force-aiff-format
Force the decoder to output AIFF format. This option is not needed if the output
filename (as set by -o) ends with .aif or .aiff. Also, this option has no effect
when encoding since input AIFF is auto-detected.
--force-rf64-format
Force the decoder to output RF64 format. This option is not needed if the output
filename (as set by -o) ends with .rf64. Also, this option has no effect when
encoding since input RF64 is auto-detected.
--force-wave64-format
Force the decoder to output Wave64 format. This option is not needed if the output
filename (as set by -o) ends with .w64. Also, this option has no effect when
encoding since input Wave64 is auto-detected.
NEGATIVE OPTIONS
--no-adaptive-mid-side
--no-cued-seekpoints
--no-decode-through-errors
--no-delete-input-file
--no-preserve-modtime
--no-keep-foreign-metadata
--no-exhaustive-model-search
--no-force
--no-lax
--no-mid-side
--no-ogg
--no-padding
--no-qlp-coeff-prec-search
--no-replay-gain
--no-residual-gnuplot
--no-residual-text
--no-sector-align
--no-seektable
--no-silent
--no-verify
--no-warnings-as-errors
These flags can be used to invert the sense of the corresponding normal option.
ReplayGain application specification
The option --apply-replaygain-which-is-not-lossless[=<specification>] applies ReplayGain
values while decoding. WARNING: THIS IS NOT LOSSLESS. DECODED AUDIO WILL NOT BE
IDENTICAL TO THE ORIGINAL WITH THIS OPTION.** This option is useful for example in
transcoding media servers, where the client does not support ReplayGain.
The equals sign and <specification> is optional. If omitted, the default specification is
0aLn1.
The <specification> is a shorthand notation for describing how to apply ReplayGain. All
components are optional but order is important. `[]' means `optional'. `|' means `or'.
`{}' means required. The format is:
[<preamp>][a|t][l|L][n{0|1|2|3}]
In which the following parameters are used:
• preamp: A floating point number in dB. This is added to the existing gain value.
• a|t: Specify `a' to use the album gain, or `t' to use the track gain. If tags for the
preferred kind (album/track) do not exist but tags for the other (track/album) do, those
will be used instead.
• l|L: Specify `l' to peak-limit the output, so that the ReplayGain peak value is full-
scale. Specify `L' to use a 6dB hard limiter that kicks in when the signal approaches
full-scale.
• n{0|1|2|3}: Specify the amount of noise shaping. ReplayGain synthesis happens in
floating point; the result is dithered before converting back to integer. This
quantization adds noise. Noise shaping tries to move the noise where you won’t hear it
as much. 0 means no noise shaping, 1 means `low', 2 means `medium', 3 means `high'.
For example, the default of 0aLn1 means 0dB preamp, use album gain, 6dB hard limit, low
noise shaping. --apply-replaygain-which-is-not-lossless=3 means 3dB preamp, use album
gain, no limiting, no noise shaping.
flac uses the ReplayGain tags for the calculation. If a stream does not have the required
tags or they can’t be parsed, decoding will continue with a warning, and no ReplayGain is
applied to that stream.
Picture specification
This described the specification used for the --picture option. [TYPE]|[MIME-
TYPE]|[DESCRIPTION]|[WIDTHxHEIGHTxDEPTH[/COLORS]]|FILE
TYPE is optional; it is a number from one of:
0. Other
1. 32x32 pixels `file icon' (PNG only)
2. Other file icon
3. Cover (front)
4. Cover (back)
5. Leaflet page
6. Media (e.g. label side of CD)
7. Lead artist/lead performer/soloist
8. Artist/performer
9. Conductor
10. Band/Orchestra
11. Composer
12. Lyricist/text writer
13. Recording Location
14. During recording
15. During performance
16. Movie/video screen capture
17. A bright coloured fish
18. Illustration
19. Band/artist logotype
20. Publisher/Studio logotype
The default is 3 (front cover). There may only be one picture each of type 1 and 2 in a
file.
MIME-TYPE is optional; if left blank, it will be detected from the file. For best
compatibility with players, use pictures with MIME type image/jpeg or image/png. The MIME
type can also be --> to mean that FILE is actually a URL to an image, though this use is
discouraged.
DESCRIPTION is optional; the default is an empty string.
The next part specifies the resolution and color information. If the MIME-TYPE is
image/jpeg, image/png, or image/gif, you can usually leave this empty and they can be
detected from the file. Otherwise, you must specify the width in pixels, height in
pixels, and color depth in bits-per-pixel. If the image has indexed colors you should
also specify the number of colors used. When manually specified, it is not checked
against the file for accuracy.
FILE is the path to the picture file to be imported, or the URL if MIME type is -->
For example, “|image/jpeg|||../cover.jpg” will embed the JPEG file at ../cover.jpg,
defaulting to type 3 (front cover) and an empty description. The resolution and color
info will be retrieved from the file itself.
The specification “4|-->|CD|320x300x24/173|http://blah.blah/backcover.tiff” will embed the
given URL, with type 4 (back cover), description “CD”, and a manually specified resolution
of 320x300, 24 bits-per-pixel, and 173 colors. The file at the URL will not be fetched;
the URL itself is stored in the PICTURE metadata block.
Apodization functions
To improve LPC analysis, audio data is windowed . The window can be selected with one or
more -A options. Possible functions are: bartlett, bartlett_hann, blackman,
blackman_harris_4term_92db, connes, flattop, gauss(STDDEV), hamming, hann, kaiser_bessel,
nuttall, rectangle, triangle, tukey(P), partial_tukey(n[/ov[/P]]),
punchout_tukey(n[/ov[/P]]), subdivide_tukey(n[/P]) welch.
• For gauss(STDDEV), STDDEV is the standard deviation (0<STDDEV<=0.5).
• For tukey(P), P specifies the fraction of the window that is tapered (0<=P<=1; P=0
corresponds to “rectangle” and P=1 corresponds to “hann”).
• For partial_tukey(n) and punchout_tukey(n), n apodization functions are added that span
different parts of each block. Values of 2 to 6 seem to yield sane results. If
necessary, an overlap can be specified, as can be the taper parameter, for example
partial_tukey(2/0.2) or partial_tukey(2/0.2/0.5). ov should be smaller than 1 and can
be negative. The use of this is that different parts of a block are ignored as the
might contain transients which are hard to predict anyway. The encoder will try each
different added apodization (each covering a different part of the block) to see which
resulting predictor results in the smallest representation.
• subdivide_tukey(n) is a more efficient reimplementation of partial_tukey and
punchout_tukey taken together, recycling as much data as possible. It combines all
possible non-redundant partial_tukey(n) and punchout_tukey(n) up to the n specified.
Specifying subdivide_tukey(3) is equivalent to specifying tukey, partial_tukey(2),
partial_tukey(3) and punchout_tukey(3), specifying subdivide_tukey(5) equivalently adds
partial_tukey(4), punchout_tukey(4), partial_tukey(5) and punchout_tukey(5). To be able
to reuse data as much as possible, the tukey taper is taken equal for all windows, and
the P specified is applied for the smallest used window. In other words,
subdivide_tukey(2/0.5) results in a taper equal to that of tukey(0.25) and
subdivide_tukey(5) in a taper equal to that of tukey(0.1). The default P for
subdivide_tukey when none is specified is 0.5.
Note that P, STDDEV and ov are locale specific, so a comma as decimal separator might be
required instead of a dot. Use scientific notation for a locale-independent
specification, for example tukey(5e-1) instead of tukey(0.5) or tukey(0,5).
More than one -A option (up to 32) may be used. Any function that is specified
erroneously is silently dropped. The encoder chooses suitable defaults in the absence of
any -A options; any -A option specified replaces the default(s).
When more than one function is specified, then for every subframe the encoder will try
each of them separately and choose the window that results in the smallest compressed
subframe. Multiple functions can greatly increase the encoding time.
SEE ALSO
metaflac(1)
AUTHOR
This manual page was initially written by Matt Zimmerman <mdz@debian.org> for the Debian
GNU/Linux system (but may be used by others). It has been kept up-to-date by the Xiph.org
Foundation.